Fumarola, M. A. (1998). Change and Permanence in Latin American Electroacoustic and Computer Music: A Compositional Approach. Proceedings of the International Computer Music Conference, Ann Arbor, Míchigan, EE. UU. Consultado de http://hdl.handle.net/2027/spo.bbp2372.1998.256
Fuente: International Computer Music Association (1998)
Fumarola, M. A. (1998). Report of the COMDASUAR: A Significant and Unknown Chilean Contribution in the History of Computer Music. Proceedings of the International Computer Music Conference, Ann Arbor, Míchigan, EE. UU. Consultado de http://hdl.handle.net/2027/spo.bbp2372.1998.485
Fuente: International Computer Music Association (1998)
Burbano, A. (2010). Asuar Digital Analog Computer. Proceedings of the 16th International Symposium on Electronic Art. Ruhr, Alemania 403-405. Consultado de http://isea-archives.org/docs/2010/proceedings/ISEA2010_proceedings.pdf
Fuente: International Symposium on Electronic Art (2010)
Burbano, A. (2013). Inventions at the Borders of History. Nordes PhD Summer School 2014. Helsinky, Finlandia. Consultado de http://nordes.medialab.aalto.fi/wp-content/uploads/sites/2/2014/08/Andres_Burbano_Inventions_at_the_Borders_of_History.pdf
Fuente: Nordes PhD Summer School 2014 (2013)
Albornoz, A. (2015). Computer Music in Chile: The Beginning and some Paths to Nowadays – An historical review. Proceedings of the Electroacoustic Music Studies Network Conference, Sheffield, Reino Unido. Consultado de http://www.ems-network.org/IMG/pdf_EMS15_Albornoz.pdf
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Burbano, A., Díaz, J. J., García, E. y César, F. (2017). Latin American Forum Legacy. Proceedings of the 23rd International Symposium on Electronic Art. Manizales, Colombia. 620-629. Consultado de http://www.isea-archives.org/docs/2017/proceedings/ISEA2017_Proceedings.pdf
Fuente: International Symposium on Electronic Art (2017)
Dal Farra, R. (2017). Was part of the media arts history swept under the carpet? (Latin America's lost ark). Proceedings of the 23rd International Symposium on Electronic Art. Manizales, Colombia. 747-750. Consultado de http://www.isea-archives.org/docs/2017/proceedings/ISEA2017_Proceedings.pdf
Fuente: International Symposium on Electronic Art (2017)
Matus, M. (2019). Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century. Proceedings of the International Conference on New Interfaces for Musical Expression, Porto Alegre, Brasil. 228-233. Consultado de http://www.nime.org/proceedings/2019/nime2019_paper044.pdf
Fuente: NIME (2019)
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